Strike up the band

Bethel Woods debut is a night to remember

By FRITZ MAYER

BETHEL, NY — Alan Gerry received a rock star’s welcome from the 17,000 fans who turned out for the premier event at the new $70 million Bethel Woods Center for the Arts on Saturday, July 1. Gerry introduced the New York Philharmonic as the “world’s greatest orchestra,” and the orchestra began the very first song played in performance at the facility, George Gershwin’s “Strike up the Band.”

Members of the audience, which was made up of young and old, singles and families, agreed that the sound system was excellent. Legislator Leni Binder was one of the 12,000 people sitting on the lawn. From her seat, a few feet away from the amphitheater, she said, “They say this is the best sound in the country. I believe it. It’s beautiful.” Other notables in the audience included Congressman Maurice Hinchey and county legislators Chris Cunningham, Ron Hiatt and Sam Wohl.

The crowd was in a relaxed summer mood, and people moved frequently between their seats, the concessionaires and around the sculpted grounds. Jane Neufeld of Liberty said she came because it was “an historic event.” She said she tried to get to the original Woodstock Festival at the site in 1969, but never made it because of the traffic. This time, she made it.

Mark McLewin of Bethel said, “How could you not come? So many things have been promised in here in Sullivan County, and this is something that actually worked.”

The conductor, Bramwell Trovey, initiated a good-natured dialogue with the audience, which he kept up between songs. He persuaded the audience, without too much prodding, to perform a “Mexican Wave,” first on the lawn seats, then in the amphitheater seats.

The performance was enhanced with large video screens on either side of the stage, which frequently changed images, switching from close ups of fingers on harp strings, a tight shot of soloist Audra McDonald belting out an Ira Gershwin lyric, and then to individual musicians and their instruments.

The program included such outdoor summer favorites as the “Polovtsian Dances” from Alexander Borodin’s “Prince Igor,” and Pyotr Ilyich Tchaikovsky’s “1812 Overture,” complete with booming cannons sounding in time with the music. One of the biggest crowd-pleasers was an orchestral rendition of Jimi Hendrix’s “Purple Haze,” which had some audience members on the lawn on their feet and dancing with the music.

The evening was capped off with a stunning, crowd-pleasing display of fireworks put on by the famed Grucci company.

Photo by John Rocklin
NY Philharmonic conductor Bramwell Tove accepts a rousing round of applause from a very enthusiastic audience at the inaugural performance at Bethel Woods Center for the Arts in Bethel, NY. (Click for larger version)
TRR photo by John Rocklin
Concert goers started entering the grounds at 4:00 p.m. There were nearly 12,000 people on the lawn, with 4,800 seated in the pavilion. (Click for larger version)
TRR photo by Richard Ross
Concert enthusiasts had easy access to food and beverages at several concession areas located close to the amphitheater. (Click for larger version)
TRR photo by Richard Ross
Audra McDonald, center, was the star and solo singer of the show. McDonald earned three Tony Awards by age 28 for her work on Broadway, including a performance in a 1994 production of ‘Carousel’. She is currently in pre-production for a TV movie version of “A Raisin in the Sun.” (Click for larger version)
TRR photo by Fritz Mayer
Bethel Woods concert goers walk toward the amphitheater past the large white tent, which on opening night was being used to host a party for members of Bethel Woods at the “Platinum Level” and above. A platinum-level membership costs $1,000 for the season and comes with benefits such as preferred parking and a listing in the season program. The top level of membership is the “Director Level,” which has a $7,500 price tag. (Click for larger version)
TRR photo by Fritz Mayer
The fireworks display that concluded the evening was provided by Grucci, the company that mounts the famous Macy’s fireworks every summer in New York City. (Click for larger version)
TRR photo by Fritz Mayer
These were used during the performance of Tchaikovsky’s ‘1812 Overture’. J.P Barnett, who operated the guns during the Bethel Woods performance, has done hundreds of performances of the 1812 Overture since he first began developing a method of using live guns with orchestras in 1968. (Click for larger version)