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In all our real estate, city, country and mountain bungalow,
I have yet to claim a room of my own. Virginia Woolf said that is the
fundamental need—that and a steady income, preferably the interest on a hefty
inheritance.
In my case, it is not for lack of space. Our river house has
a bedroom we save for houseguests, for example. My sewing machine is housed
there and sometimes I refer to it as my sewing room. But I am not a seamstress
nor a fabric artist. I am a writer. Why not have a writer’s room?
A friend, who is a writer, lives in a compact log house in
the woods near a pond. When she gives a tour of her home on your first visit,
she stands in the center of the large room and, pivoting on one foot, presents
her living room, kitchen, bedroom, sewing room and office. Each of these
functions has a space, though there are no walls separating them. She truly has
a room of her own, as she lives alone.
When I write, I like to be alone. My husband, who is also a
writer, thrives in noisy crowded spaces. He will sit at a table in our local
tavern, with a few sheets of blank paper and a pen and scribble prose for hours
in the midst of mayhem, only occasionally stopping to chat with a friend or to
check the Knicks’ score—usually down by three in the fourth quarter.
Recently, I carved out a dressing room for myself in our
city loft. It is in a room that once had been my husband’s office. Its
proximity to our bedroom (and the modesty that grows with age) made it
irresistible to me. I have yet to install proper closet rods, but a mirror, a
small radio and the glider rocker that I sat in to nurse my children, have made
it a cozy retreat, as well as a useful dressing room. His old bookshelves now
hold shoes and neatly folded sweaters.
Another friend, who is a magazine editor, recently wrote
about her short-term sublet of a pied-a-terre above Central Park. Such luxury—a
whole apartment to herself—would have been prohibitively expensive if not for
the combined graces of an absent landlord friend and the deep pockets of her
publisher. The sublease is over now, but the glow of pleasure from her few
months of daily jaunts uptown remain.
My idea of perfection for a writer’s room is realized in
another friend’s home. With a double-height ceiling and numerous windows, it is
light and airy and lined with her collection of fiction, poetry and reference
books. A comfortable chair and the necessary computer and printer give her
everything but inspiration for her work, and maybe that, too.
Woolf’s premise in her essay on creative independence was
that men lay claim to so many of the ‘big ideas’ precisely because they have
the wealth and property that enable them the luxury of creative thought. While
I don’t agree with all of her thinking on the subject, I do agree with the
fundamentals. A place to work goes a long way toward accomplishing that work.
So I have a vision of my ideal space. It would be a stone
and wood structure, like Yeats’ Thoor Ballylee, with a winding inner staircase
leading to a lofty room with views of the river and sky and trees. Inside,
thick walls would keep it cool in the summer and warm in the winter. There
would be only one chair and a few pillows for an afternoon nap.
Now about that income....
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