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Spend your rent money on ‘Duplex’
There’s something about a movie like “Duplex”
where you have a feeling that you shouldn’t like it, but you
can’t help it. Your heart swells as you watch it, and you
think you’d have to have a heart of stone to dislike it. Combine
this quality with a silly script and the utterly congenial Ben Stiller
and Drew Barrymore, and you have a film that will always capture
your attention.
“Duplex” centers on a young, recently married couple
looking for a nice place to settle down. Alex (Stiller) is a small-time
novelist and Nancy (Barrymore) is an art designer for a magazine;
they’re not exactly the biggest moneymakers.
However, they are lucky enough to find a duplex
in Brooklyn. The only catch is that they have to play landlord to
the other tenant in the building, doddering old Mrs. Connelly (Eileen
Essel). The old woman must be pushing 100 years old and can’t
have too long before she kicks off, leaving both floors to Alex
and Nancy.
At first, Mrs. Connelly is very pleasant and inviting.
But soon, the errands she asks the couple to run begin to get more
and more ridiculous, and her attitude becomes more and more obnoxious.
She begins to run into their personal lives, especially with the
suspicious cop, Officer Dan (Robert Wisdom) breathing down their
necks. She makes their lives miserable, and the young couple gathers
she’s certainly not going to die anytime soon. It seems that
Alex and Nancy may have to kill two birds with one stone and do
in the old bat themselves.
Much of Ben Stiller’s career has focused
on a premise of a normal man who is caught in a series of upsetting,
yet hilarious misunderstandings; “Duplex” takes that
idea and runs with it. Alex and Nancy seem to have only the best
intentions coming in, and yet Murphy’s Law is in full effect.
The audience may groan at the terrible catastrophes that befall
them through their own making (“No! Don’t do that! Something
bad will happen!”), but the antics are so delightfully silly
that they are fully engaged in the plot.
“Duplex” is an actors’ movie. Certainly the script
has some downright great one-liners and gags, but it would not have
worked nearly as well if the actors were subpar. One particular
scene reflects the great casting: after an apartment mishap, Officer
Dan steps in, grits his teeth and calls Alex a “slumlord.” It doesn’t
sound quite as funny written down, but Wisdom’s tough persona perfectly
bounces off Stiller, whose very appearance is the polar opposite
of a slumlord.
The whole movie’s casting seems to be very
carefully planned. Supporting characters include Harvey Fierstein,
only present to bring smiles to the viewer with his trademark gravelly
voice, and Wallace Shaun (the “inconceivable!” character
in “The Princess Bride”), merely around for the utmost
pleasure of his appearance.
“Duplex” is directed by Danny DeVito whose great
acting credits often overshadow his behind-the-camera work. He’s
got some great credits for all tastes (“The War of the Roses,” “Hoffa,”
“Matilda”), but not many people can recall them offhand. If you
haven’t seen any of DeVito’s films, “Duplex” is a superb, delightfully
insane gateway to a man who knows his way around movies.
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