|
LAVA is hot stuff at NaCl
By TOM KANE
HIGHLAND LAKE, NY — As I watched the LAVA Company perform
its marvelous production of “High Tide” last Friday evening at the NaCl
Theater, I was struck by the performers’ extraordinary ability to combine
styles of modern dance and gymnastics.
Characteristic fluid movement, split second timing, stamina,
incredible physique, control of the body, endurance and effortless balance of
gymnastics merged with the graciousness, intensity, artistry, interpretation
and synchronization of modern dance in fantastic—and at times
breathtaking—performances of circus-like feats that stunned and wowed.
This was a return performance by LAVA, the group that
impressed audiences last summer. In an hour and a half of continuous
performance, the extraordinary women created a whirlwind of action that
mesmerized and awe-inspired the audience.
There were “ohs” and “ahs” and explosive applause from the
viewers, who hardly had a minute to gain their collective breaths.
At one point, a number of hoops were loosely stacked and the
six women leaped and gushed like streams of water through the circles without
once knocking any of them down.
They rolled on the floor to the rhythm of the music, rolled
over each other and formed a stack with their bodies. They climbed over
shoulders with grace and ease and formed inverted pyramids; at one time Sarah
East Johnson held four women by herself.
The production utilized a large background screen on which
abstract art, shots of the cascading Niagara Falls and other saturated color
fields were projected. Dominating all of this activity were the performers’
playfulness, unanimity, compassion and love.
In 1999, LAVA won an OBIE Award and a Bessie Award for
direction and choreography for its production of Lava Love. The NaCl program
stated, “LAVA productions blend circus acrobatics, post-modern dance, social
dance, theater and video projections to create unique performances that are
inspired by volcanoes, evolution, physics, feminism and love.”
In a short break in the action, the company’s creator and
director, Sarah East Johnson, told the audience that the performers’ ages
ranged from 24 to 32 and that Chinese circus, yoga and modern interpretive
dance inspired the performances.
“We practice incessantly,” Johnson told the audience. It
showed.
LAVA has performed in New York at Performance Space 122, The
Kitchen, The Flea Theater, Celebrate Brooklyn, Central Park Summerstage and
around the U.S. in Minneapolis, Michigan, Boston, Philadelphia, Maine and
MassMoca (Massachusetts Museum of Contemporary Art).
The one thing that was missing was a good audience. I
expected the small seating section to be packed, but it wasn’t. Frankly, I am
puzzled by the lack of audience for works like this, which NaCl puts on with
such aplomb and singular inspiration. They deserve more.
My word to readers: do yourself a favor and don’t miss the
final production of The Catskills Festival of New Theater on August 29 and 30,
which will present the renowned Number Eleven Theater from Toronto, Canada.
For more information or reservations call NaCl at 845/557-0694
or visit nacl.org.
|