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Spoerri flourishes with ‘Trees’
By CHARLIE
BUTERBAUGH
NARROWSBURG, NY — At the Margo Spoerri Studio, new oil paintings
by the artist capture river valley trees in scenes that will continue to
please those already acquainted with Spoerri’s vibrant natural landscapes.
Almost all of the paintings were finished over the last two
years. During the previous winter, many were on the easel situated above
a heavily laden glass pallet where Spoerri mixes colors that become details
sometimes overlooked during momentary glances at life along the Delaware
River.
Landscape paintings can often create dramatic, albeit nonverbal
events as viewers experience a feeling of moving through a depicted setting.
Spoerri’s enchanted fields of vision and bright impressions of nature deliver
the clearest of invitations to imagine, for example, walking through the
tangled grass of “River Grasses” or leaning against the trunk of a pomegranate
tree.
In effect, she bypasses the initial phase when a viewer normally
searches for confidence to understand what is happening in a painting.
Spoerri works mostly with oil on wood, though “River Grasses,”
on canvas, provides a good example of her process of painterly editing.
“I push paint and remove paint as well as apply paint,” she
said. The subtractive process allows her to make use of the canvas texture
in such images as tall grass blades. As she removes paint, she builds details,
moving closer to descriptive images that show her understanding of the disheveled
and ungroomed beauty of the natural world.
“I would like to think that on some level, it gets through
that the visual environment that we live in is to be regarded with sanctity,”
Spoerri said.
When I look, the reverence is immediate.
Peter English of Grandstyle Framing in Honesdale, PA constructed
and fit all of the frames for Spoerri’s paintings, and he produced the Giclee
prints—high resolution digital scans printed with archival quality inks—which
Spoerri has made available at her 44 Main Street gallery.
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