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EMERGING ENTREPRENEURS
More weft than warp
in local fabric
NARROWSBURG, NY — Charles Blanchard has brought his unique
fabric trade to Narrowsburg, a place where he knows a critical mass of artists
is ready to emerge. The unique hamlet on the Delaware was a natural destination
for his weaving studio and hand-woven rugs that are designed for durability
and meant to please the eye.
Blanchard weaves variations of the ancient diamond twill pattern
on his Harrisville loom. “Everything in here is woven on the same four-harness
loom set-up,” he said.
The vast majority of his rugs are made entirely of wool or
silk, though he also weaves an acrylic rug. Each takes roughly 120 hours
to complete, and he ties the finished ends with linen tassels that lend to
a decorative appearance. Each is thick and soft and delivers a scintillating
electric charge to bare feet.
“I try to work with horizontal and vertical symmetry, which
young kids always notice when they look at my rugs,” Blanchard said. Each
may be called a work of art; more particularly, the artist creates different
visual patterns that guide the human eye over the rug’s surface. Blanchard
does not see the entirety of the pattern until he takes the finished rug
off of the loom and rolls it out, at which point he always says, “Hi.”
For many of his rugs, Blanchard dyes, cards and spins the
wool. In short, his work is comprehensive, with the exception of raising
his own sheep, which he declines only because it would take away from his
time to weave.
He began to experiment with tie-dying methods and acid-dying
chemistry during his graduate work when he studied nonverbal modes of communication.
Never having studied weaving formally, he has come to know the nuances of
weaving primarily through experimentation.
Blanchard bought his first loom in 1970 and began by weaving
traditional Navajo saddle blankets. He moved to Dyberry Township, PA in 1977,
an area where, coincidentally, spinning mills were common during the Industrial
Revolution since ample water flow provided plenty of energy sources, said
Blanchard.
Through talking with many weavers in various guilds and organizations,
he has developed a compulsive affinity for perfect, unblemished fabric.
His signature weave incorporates four to five warp ends and
40 to 120 weft ends per inch, which means that only the weft, or horizontal
threads, can be seen in the final product, which will undoubtedly impress
rug and weaving enthusiasts to no end.
Before the Industrial Revolution, Blanchard explained that
fabric was more precious than it is today. He considers himself fortunate
that he has time to treadle at his loom. “Not long ago when things were made
by hand, it was not a joy to weave. I often think about early laborers and
how fortunate I am to enjoy this process. I love weaving, and it just turns
out that I produce many rugs,” he said.
“I believe that if Narrowsburg succeeds, then I will succeed.
I hope that I can add to the scene, which is incredibly pleasing and nourishing,”
he said.
Blanchard plans to introduce a line of Dyberry tweed jackets
and other goods in the near future.
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