“Never
doubt that a small group of dedicated individuals
can change the world; indeed, it is the only thing
that ever has.” —Margaret Mead
This month marks the 75th anniversary
of Variety the Children’s Charity, an organization
devoted to helping children with special needs. You
may know it as the charity that solicits for donations
in movie theaters across the country. My grandfather,
John M. Morin, Jr. was a founding member along with
ten other Pittsburgh businessmen, most of whom were
involved in show business in the post-vaudeville era.
They got together after work, which
for most of them was near midnight, being in the business
of other people’s pleasure. Over martinis and
storytelling, (not yet a found art, never having been
lost) they formed a kind of social action organization
with a loose focus of raising money for charity causes.
The first fundraising event the group
held, in November 1928, was a model of showmanship.
Having sold too many tickets for the small room the
group had reserved at the William Penn Hotel in Pittsburgh,
the men reserved the grand ballroom, their only option
on short notice. Fearing the room would dwarf their
numbers, they planned an indoor circus, complete with
giant tents and circus acts and sawdust on the floor.
It was a huge success and the talk of society for
years to come.
The organization’s focus was
sharpened soon after, on Christmas Eve, when a member
of the group found a baby girl abandoned in the Sheridan
Square Theater in Pittsburgh. A note attached to the
infant identified her only as “Catherine”
and called upon the “goodness of show people”
to care for her. She had been born into a large family
on Thanksgiving Day, the note said, and her “heart-broken”
mother had an unemployed husband and eight other children
to care for. This galvanized the men. They informally
adopted the baby who became known as Catherine Variety
Sheridan, an allusion to her origins.
Eventually the child was formally adopted
by a couple who agreed to keep her identity a secret
to protect her privacy. Years later, the adult Catherine
resurfaced to publicly thank her show-biz “fathers”
for their support and caring.
Since 1928, Variety has grown into
a worldwide charitable organization and has raised
over a billion dollars for children’s causes.
Changing the world takes time and hard work, and lots
of money. Much of the hard work is accomplished by
volunteers, like my grandfather, who look for a sense
of purpose to balance their sense of well-being.
But humanitarian causes can seem anachronistic
today. A lot of work for the net result. Injustice
now is more likely to breed a terrorist than a humanitarian.
Margaret Mead’s message about
a small group of dedicated individuals has a double
edge in this age of both organized and freelance terror.
Whether it’s suicide bombers wreaking havoc
on innocent people or a pair of snipers roaming the
beltway in Maryland picking off ordinary citizens
like lint from a coat, the concept of dedication to
a cause has a new dimension.
Huge segments of the world’s
population feel so disenfranchised that they are driven
to abominable violence against humanity.
We have come too far from the days
when people like my grandfather, fueled by a few martinis
and a sense of duty, joined in friendship to form
an organization dedicated to changing the world, one
child at a time.
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