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Newest
releases by Steve Van Zandt, Black Crowes, Brian Jay Cline and Anders
Osborne,
plus The Library
Little Steven, Born Again Savage, Renegade
Nation Records
Little Steven, aka Miami Steve, aka Silvio Dante
from “The Sopranos,” aka Steven Van Zandt’s latest disc, the appropriately
named Born Again Savage is a tribute to the hard rock bands
of the late 60’s that inspired guitarists: The Yardbirds, Cream,
The Who, The Kinks, Jeff Beck Group and Led Zeppelin. The music
is tough and heavy without being heavy-handed, and the lyrics and
melodic elements, as well as the artwork adorning the accompanying
booklet, are dark and foreboding with a decidedly apocalyptic slant.
An element of eastern melody and mysticism runs throughout. One
can’t help but notice the influence of The Yardbirds everywhere.
Bassist Adam Clayton of U2 and drummer Jason Bonham provide backup,
but I’m puzzled why Clayton’s bass is mixed so low. Van Zandt cranks
out blazing power chords and taut solos and delivers lead vocals
with a nasal, Dylanish twang. Let me make it clear: I bought this
disc. And as I never, ever buy CD’s for review, that should tell
you something. This is a great hard rock album, a veritable guitar
orgy. Available only from Renegade Nation Records online at www.RenegadeNation.com.
The Black Crowes, Lions, V2 Records
The Black Crowes returned to their rootsy Stones-Humble
Pie-Faces sound for their last album, and this time, they go backward
and forward, emphasizing their harder rocking, noisy, neo-metallic
elements. The accent is on heavy rock... very heavy rock, reminiscent
of their Amorica period output, which was excessively angry and
not too convincing. At this writing, after two listens, the jury
is still out on this new Crowes disc. Let’s just say that hardline
fans will probably like it, but this writer isn’t sure yet. Listen
first and make your own decision.
Various Artists, Dealin’ With The Devil-Songs
Of Robert Johnson, Cannonball Records, and Hellhound On My
Trail-Songs Of Robert Johnson, Telarc Records
Hmm...Two Robert Johnson tribute discs released
about the same time. Both listenable, both well thought out and
put together... and both completely unnecessary. Haven’t we all
had enough of these gratuitous tribute collections? Robert Johnson’s
material has already been covered to death by just about everyone
in the blues world, so why bother? Better yet, why not listen to
Robert Johnson playing his own songs, his own way, in their original
state? Wow, what a concept.
The Raging Teens, Rock ‘n Roll Party!, Rubric
Records
If I never see or hear another ridiculous neo-rockabilly
band dressed up in pseudo-50’s duds, playing old instruments and
recording with old equipment in an old recording studio into an
old slap echo, I’ll be a happy man. What The Raging Teens (from
New Hampsha’) do is pleasant, but ditto the above. In other words,
go out and buy a few 1950’s rockabilly compilation albums and listen
to the real thing instead. Besides, some of these Raging Teens look
way too old to be teenagers. Rubric Records, 12 W.37th St., 5th
Floor, NYC, NY 10018.
Brian Jay Cline, Twisty Town, self-release
Brian Jay Cline plays snappy rockin’ folk country
that owes an equal debt to Big Star’s power pop and Hank Williams’s
hillbilly twang. The songs are almost all up tempo, with familiar
choruses that might remind the listener of early Matchbox 20. Not
terribly original, but nonetheless well executed. Lose that GI buzzcut
though, Brian. Under The Temple Publishing, LLC, 8170 S. Eastern
Ave., #4-434, Las Vegas, NV 89123.
Anders Osborne, Ash Wednesday Blues, Shanachie
Records
Anders Osborne is a Swedish musician so enamored
of New Orleans music, he packed up and moved to the Crescent City
years ago. His last album was a winner, and this one isn’t far behind.
It’s loaded with classic Nawlins’ grooves and plenty of slippery,
swampy sounds. Check out “Stoned, Drunk & Naked.” How many times
have YOU been there?
The Library: “Heavy Load-Free,” by David
Clayton & Todd K. Smith. This is the exhaustive, well-written
story of the British rock band Free, of “All Right Now” fame, produced
by two rabid and devoted fans, one American, one English, that chronicles
the band’s history from beginnings, to their ignominious demise
in 1973. It’s hard to imagine anything or anyone even coming close
to telling the story of this tragically underrated band in more
detail than Clayton and Smith. Included are dozens and dozens of
rare photos, interviews with all surviving band members, and others
who worked with them. It isn’t cheap either—$58 with shipping—but
if you love Free, this book will knock you out. Moonshine Publishing
Ltd., 99 Graylands Road, Bilborough, Nottingham, NG8 4FF, UK.
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