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New
CD’s by Studebaker John, Mr. Henry, Waxwings, Eric Gales, Sacred
Steel, and lotsa reissues
Studebaker John, Howl With The Wolf, Evidence
Records
Studebaker John Grimaldi has slowly been making
a name for himself not only as a hip blues guitarist, but as a soulful
vocalist and harp player as well. Here, he and his tight band tear
through a well-chosen set of covers and originals that should add
to his ever-widening fan base. Grimaldi proves himself quite able
as a multi-instrumentalist, one of the very few within the blues
world.
The Waxwings, Low To The Ground, Bobsled
Records
Schwing! Bobsled Records is located in Aurora,
Illinois, the same town that produced Wayne and Garth from “Wayne’s
World.” One look at The Waxwings cover art is deceiving, four young
guys with a sensitive 70’s look. Their press info described the
music as delicate, like, well, waxwings. After the first listen
though, this writer came to the conclusion that this is not the
case. Waxwings can lull you to sleep, but they rock like nobody’s
business too. The songwriting is superb, and the vocal and instrumental
work is equally fine, so I heartily recommend Waxwings’ Low To
The Ground. The cover art even resembles an old vinyl album.
Bobsled Records, PO Box 6407, Aurora, IL 60598.
Mr. Henry, 40 Watt Fade, Mighty Hudson Music
Mr. Henry is one of those critically acclaimed
bands that, for some reason, just can’t seem to break through. This
is a mystery, for they are polished musicians with great material
that rocks with a pop/rock/country sensibility. This is an especially
hot recording, well mixed and mastered, with memorable tunes and
chorus hooks that will last with you for days. Somebody please buy
this disc! Mighty Hudson Music, 100 Merrick Rd., Suite 206E, Rockville
Centre, NY 11570.
Various Artists, Train Don’t Leave Me-1st Annual
Sacred Steel Convention, Arhoolie Records
Unlike most churches that rely on organ as the
primary musical instrument, the House of God, Keith Dominion and
the Church of the Living God, Jewell Dominion African-American Holiness
Pentecostal Churches all rely on the electric steel guitar to move
churchgoers into gospel frenzy every Sunday, since the late 1930’s
in Florida. Anyone who has experienced steel guitar gospel can attest
to the music’s electric fervor and the excitement it generates.
Recorded at the first annual Sacred Steel Convention, this disc
features the greatest living exponents of the art, including Aubrey
Ghent, Robert Randolph, Lonnie “Big Ben” Bennett and Calvin Cooke.
Freed from the restriction of a church service, these steel guitarists
tear it up on traditional black gospel tunes. Great stuff. Arhoolie
Records, 10341 San Pablo Ave., El Cerrito, CA 94530.
Eric Gales, That’s What I Am, Nightbird/MCA
Records
Twenty-five-year-old Eric Gales has been honing
his guitar chops for years playing in his brothers’ band and with
other rock and blues groups in the Memphis area. This is his first
“adult” release, according to his promo info, and it seems to take
the legacy of Jimi Hendrix into the 21st century, using the late
guitarist’s style, sound and approach, and adding contemporary touches
like rap, hip-hop and urban influences. Gales could be written off
as a Hendrix clone, but with time, he’ll most likely develop his
own approach. This is basically a solid effort that bodes well for
Gales’ future: some good material, a funky cover of Hendrix’s “Foxey
Lady,” and a couple of clinkers.
Various Artists, The Art Of Traditional Fiddle,
Rounder Records
If you love traditional, Appalachian fiddle music,
look no further. This excellent compilation of previously released
Rounder material is about as down home as it gets. Some real artistry
going on here, all of it recorded within the last 27 years or so.
Reissue Heaven:
New and essential from MCA/Universal are reissues by The Who, Quadrophenia
Soundtrack; Rare Earth, Cameo, Tom Petty & The Heartbreakers,
Hard Promises, Damn The Torpedoes and Long After
Dark; Texas country/rocker Joe Ely, Traffic, John
Barleycorn Must Die, Traffic and Last Exit; English
new wave rocker Graham Parker. New from Sundazed Records is Paul
Revere & The Raiders’ Mojo Workout!, proving once and
for all that The Raiders, who used studio musicians for most of
their biggest hits, were competent musicians after all. This is
all early studio and unreleased stuff that you’ll like if you’re
inclined toward wild mid-60’s frat rock.
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