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By
the Book
By
Sandy Long
Calling
the Piper’s Tune:
new publishing options
Getting a book published these days is about as easy
as rolling a 500-pound boulder up a ski slope. Especially a first book.
But alternatives are appearing that enable authors to see their work in
print, or on-line, even to hear it in an audio format. Such is the case
for Pennsylvania author Robert David Stetten’s first book, “Calling the
Piper’s Tune,” a new historical novel set in a northeastern PA anthracite
coal mining village, or “patch town,” as such company communities were
called. Stetten self-published the book through 1stBooks Library. The four-year-old
company is one of a new brand of publishers utilizing “print on demand
technology,” whereby books are stored in electronic computer files, allowing
for printing to occur only as orders are placed.
The main character in “Calling the Piper’s Tune” is Thomas
Hasting, operator of a failing coal mine, who must attempt to save the
miners and the mine he dearly loves from certain doom. Hasting is gratingly
spineless as he quavers under the witchy force of his greedy self-serving
mother (owner of the mine) and the brutal unethical rule of his mine superintendent,
“Rick, the Bear.” Hasting has trouble just standing up to his two brothers,
a priest and a politician.
As the story progresses, Hasting is driven to measures
that ultimately earn him the strength to tackle his demons, although each
of his three protagonists is killed off in freak accidents that strain
the credibility of the story line. The mine superintendent crashes his
buggy; the mother has a rather fortuitous (for everyone else) heart attack;
the politician, passed out in a drunken stupor on his mother’s couch, perishes
in a fire. In the end, Hasting even manages to find the nerve to ask a
patch girl to marry him.
Stetten seems overly fond of the exclamation point, which
appears with exhausting frequency. On the first page, in six paragraphs,
this special mark of punctuation occurs seven times! The effect is to wear
down the reader, so that when the big news comes — a tunnel collapses,
a mine fire erupts — it is somewhat anti-climactic. Similarly, overuse
of the word “damn” has the same dulling effect. By page five, we have had
“damn well, damn fool, damned if, damn game, damn thing, dammit to hell,
Goddamn firedamp.” This sort of problem is easily remedied under the advice
of a good editor. One of the risks of self-publishing is going forth without
such guidance. According to its website, 1stBooks Library does not provide
editing services.
That said, I found myself swept into the sense of place
that Stetten develops and sustains with rich and abundant details of mining
life. All the horrors of a miner’s existence are here. Stetten, a university
professor who lives in the heart of the coal region in which the book is
set, has a firm grasp on his subject matter. He makes the story come alive
through intrigue, romance and a strong sense of the bitter contrast between
the poverty of the miners and the shameless gluttony of the mine owners.
I was impressed with the mining information packed into the book’s 142
pages. Reading it enhanced my knowledge of the subject.
Readers with an interest in the history of anthracite
coal and its effects on the lives of people who settled this region of
the country will find this an enjoyable and informative book. Paperback
and electronic formats of the book are available from 1stBooks Library,
2511 West Third Street, Suite 1, Bloomington IN 47404, or through www.1stbooks.com.
If you are an author looking to publish, the site contains all the information
you’ll need to get started.
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