|
New
discs by The Band, Johnny Cash, Stacie Collins, Diesel Park West,
and more
The Band, Remasters
Series, Music From Big Pink, The Band, Stage Fright, Cahoots
Capitol Records,
bless their collective heart, have finally cleaned up and re-released
the first four albums by The Band, plus their greatest hits album
as well. In addition, each disc contains unreleased or alternate
takes on songs most Band fans will be familiar with. Considering
the poor sound quality of The Band's catalog up to this point, Capitol
is to be congratulated for getting it right this time. And the music?
Timeless American roots rock, folk, R&B and country, just the way
you remember it. What more can be said about The Band? They are
American music legends.
Various Artists,
Blue Haze, Songs Of Jimi Hendrix, Ruf Records
The German-based
Ruf label has done pretty well the last two years with their bluesy
tribute albums to musicians more closely associated with rock, i.e.
Janis Joplin, Led Zeppelin, etc. Their latest spotlights the material
of Jimi Hendrix, and features artists like Eric Burdon (former lead
singer of The Animals, and a Hendrix confidante), Taj Mahal, Walter
Trout, Alvin Youngblood Hart, Bernard Allison, Eric Bibb, Vernon
Reid, Buddy Miles & Double Trouble, Michelle Shocked and others.
The results are predictably mixed. The Buddy Miles/Double Trouble
version of "The Wind Cries Mary" is excellent, as is Taj Mahal's
take on "All Along The Watchtower." On the losing end is the positively
awful "Purple Haze" by Friend 'n Fellow, with its lame guitar work
and synthesized percussion, and Michelle Shocked's attempt at "House
Burning Down." If you're a die-hard Hendrix fan, you might find
most cuts on Blue Haze enjoyable.
Stacie Collins,
Stacie Collins, Rev Records
Stacie Collins
plays harmonica and sings like a bird on her debut disc. Imbued
with a strong sense of country music tradition, Collins is very
impressive, her material, co-written with a gentleman named Allen
Collins (presumably her husband), is first-rate, and her backing
musicians never stray too close to that contemporary Nashville pop
nonsense this writer loathes. In other words, Stacie Collins plays
and sings REAL country music, without regard to prevailing trends.
Good for her. Next time you want the genuine article, give Stacie
Collins a shot.
Order your
copy by writing to Rev Records, 2177 West 15th Street, Cleveland,
OH 44113. After you hear Stacie, you'll dump your Shania, Shedaisy
and Jo Dee records in the trash.
Johnny Cash,
American III, Solitary Man, American/Columbia Records
Johnny Cash
is a national treasure. In keeping with the concept of his last
two releases, American III, Solitary Man continues the presentation
of Cash as interpreter of what might be considered offbeat material,
with minimal and often stark accompaniment. Never a highly prolific
writer, Cash does manage four new original songs here, all of which
hit home. Cash's versions of Tom Petty's "I Won't Back Down," U2's
"One," Nick Cave's "The Mercy Seat" and the old folk standard "Wayfaring
Stranger," are resplendent in their forthright and honest treatment.
Merle Haggard, Tom Petty, guitarist Mike Campbell, Sheryl Crow,
Randy Scruggs, Marty Stuart and June Carter Cash all make guest
appearances.
Diesel Park
West, Thought For Food, Hypertension Records
I championed
the music of Brit-rockers Diesel Park West a couple years ago in
this column. Since then, DPW has stripped down to a three piece,
still spearheaded by the rhythm guitar, lead vocals and songs of
John Butler, one of England's best unsung songwriters. Butler's
material is influenced strongly by American 60's bands like Moby
Grape, The Byrds, Buffalo Springfield and English rockers like The
Rolling Stones and The Who. Thought For Food is slightly
poppier than their previous release HIPReplacement, a bold,
angry attack on the vagaries of the music business. Butler's melodic
sense is well developed and there's no denying his rocking side
as well. Thought For Food may not establish Diesel Park West
in America, but who knows? It's available only as an import disc
from Hypertension Records, St. Benedictstr. 5, D-20149, Hamburg,
Germany, www.hypertension-music.de.
My highest recommendation. Diesel Park West is a great rock band,
a rare commodity these days, and it's well worth your time to special
order Thought For Food.
Dash Crofts,
Today, Nuance Records
Dash Crofts,
formerly one half of the 70's folk/pop duo Seals & Crofts, is back
with his first album in years, featuring new material written with
Jim Seals (who does not appear on the album) and others. Produced
by ace session guitarist Louie Shelton (he played on all The Monkees'
hits way back when), Today has a strong bluegrass and country element
running through it. It's light and breezy for the most part, and
quite tastefully done. Not really my musical cup of tea, but for
those who liked Seals & Crofts' earlier hits, this one will bring
back memories.
The Library:
Spinning Blues Into Gold: The Chess Brothers And The Legendary Chess
Records, by Nadine Cohodas, is a very well written book that
painstakingly documents the rise and fall of Leonard and Phil Chess,
two Polish/Jewish immigrants who grew up amongst the black population
of Chicago, and built a record company/radio station empire that
changed the face of popular American music forever over a 20-year
period, from 1949-69. With artists like Muddy Waters, Little Walter,
Howlin' Wolf, Chuck Berry, Bo Diddley, Etta James and others, the
Chess brothers ran a seat-of-their-pants, though nonetheless highly
successful operation, with little regard for accurate record keeping.
Although the Chess brothers have been vilified over the years for
supposedly ripping off their musicians, Cohodas makes a convincing
case for the Chess's, claiming they were always fair and honest
in their dealings... perhaps just a little disorganized. The complete
story is here, fleshed out by extensive interviews with Marshall
Chess, Leonard's son, who was very active in the label's latter
days. If you love the sound of classic Chicago blues, Spinning
Blues Into Gold is a fascinating look backward into the business
end of that era.
|
|
|