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The meaning
of life is to see: Pacem in Terris
By KRISTA GROMALSKI
This is
the first of a four-week series of articles on artists and their
environments. The locations were selected from the book "Art on
Site" by Marina Harrison and Lucy D. Rosenfeld
WARWICK - Despite
his increasing loss of sight, Frederick Franck's vision persists.
Franck, now
91, has painted, welded, carved and drawn his vision into an artistic
environment he named Pacem in Terris, dedicated to the Catholic
pope John XXIII, the missionary Protestant doctor and humanitarian
Albert Schweitzer and the Buddhist sage Daisetz T. Suzuki.
Franck describes
this place, which translates from Latin as Peace on Earth, as "one
man's work of art that aspires to be an oasis of quiet, of sanity,
where spirit and nature may reconnect."
Originally
from the Netherlands, Franck began his career as an oral surgeon
and moved more seriously toward his artistic pursuits in the 1930's.
He was forever changed by his experience working with Schweitzer
in Africa from 1958 to 1961. Following this, he became the only
artist to draw the four sessions of the Second Vatican Council,
which met under Pope John XXIII to reconsider the international
role of the Catholic church.
Pacem, in Warwick,
NY, has been home to Franck and his wife, Claske, since they fled
the art scene of Greenwich Village more than 30 years ago. The couple's
first encounter with the place came on a winter hike in 1957. Several
years later, the Francks returned to the snow-covered property and
discovered a "for sale" sign. They bought the place "sight unseen"
except for what they could see of the winter landscape, and what
ensued was Franck's pilgrimage of "seeing."
The main structure
at Pacem, where the Francks reside, was formerly the 12-room McCann's
Hotel and taproom. Across the Wawayanda River, which splits the
property, stands the transformed ruins of an 18th century stone
water mill. Franck, with the help of the late carpenter and builder
Bert Willemse, revived the mill into a sacred cathedral-like space
that serves as the stage for musical performances and plays. Many
denominations have celebrated their services within.
The roof that
Franck designed for the mill rises and falls at several points to
mimic the lines of the wings of a dove. The interior features mosaic
and stonework, masterpieces of carved wood and stained glass.
At the entrance
to the structure sits one of Franck's metal sculptures, a smooth,
round face expressing the serenity of the pilgrim that might result
from being surrounded by such quiet beauty.
"When you go
on a pilgrimage," Franck wrote in his book "Art as a Way," "you
set out from where you happen to be and start walking toward a place
of great sanctity in the hope of returning from it renewed, enriched
and sanctified."
Throughout
the grounds at Pacem are Franck's welded sculptures, most carrying
on the theme of "seeing." Every aspect of the art and the gardens
feels infused with meaning. The "Resurgence Garden," for example,
is an organic garden kept to symbolize the rehabilitation of our
violated Earth. At the center of the garden is a sculpture with
the words "The meaning of life is to see," burned through its metal
with a torch.
"The Other
Shore," a small outbuilding on the property, built especially for
the task by Pacem's resident assistant Art Meyer, houses Franck's
original stained-glass "Way of the Cross" windows and "Oxherding
Parable" series.
With age, Franck's
sight and ability to walk have been failing, yet he continues to
draw and paint. His books include "Days with Albert Schweitzer,"
"The Zen of Seeing," "Zen Seeing, Zen Drawing: Meditation in Action"
and "Art as a Way," among others.
Franck's art
is part of the permanent collections at the Museum of Modern Art,
the Whitney Museum and the Cathedral of Saint John the Divine.
Pacem in Terris
is open to visitors on Saturdays and Sundays from 11:00 a.m. to
6:00 p.m., May to October. Admission is free. For information call
845/986-4329.
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