The Tarbox Ramblers, same title, Rounder Records
What do you get when you mix a hot country fiddle player, a Delta
blues-influenced slide guitarist, a standup bass player and a swinging
drummer, all from Boston? Answer is: The Tarbox Ramblers, a new
band that mixes traditional hoe-down fiddle tunes with lowdown blues.
These guys have been packing clubs in Beantown for a while now,
building a very loyal following among the college crowd (really!).
The sound is old-timey and funky, with a strong sense of authenticity.
It’s country, it’s folk, it’s blues, it’s even a little rock ‘n’
roll. If Jimmie Rodgers, the legendary "Singing Brakeman"
who combined elements of white country music and black blues, was
still alive, this is what he might sound like. Highly recommended.
Kristi Rose, This Is Pulp Country!, self-released
I guarantee you have never experienced a female country singer
like Kristi Rose. With her classic torch and twang voice, Kristi
works her way through eight original tunes that cut a wide stylistic
path through Mexicali pop music, rockabilly, honky tonk country,
spaghetti western kitsch, folk and a little R&B as well. You
could never accuse this girl of being one-dimensional. She’s gutsy
enough to be eclectic and daring enough to give her musicians free
reign to create atmospheric arrangements that highlight her vocals
marvelously. Well done, Kristi.
The Mollys, Only A Story, Apokalips Now Music
The Mollys are an offbeat band that mixes Mexican and English/Irish
folk music with country. Although I really enjoyed their debut disc,
released in 1998 and reviewed in this column, this time around The
Mollys pursue an extremely somber musical direction that results
in songs that barely get off the ground the way they should. If
you’ve been feeling depressed lately, do not buy this album! Two
key members of The Mollys have since left the band, so look for
new influences next time.
The Hollisters, Sweet Inspiration, Hightone Records
The Hollisters are back with another disc that pushes their high-energy
country and rockabilly music into the stratosphere. With roots in
Johnny Cash, Buck Owens, Elvis Presley and many others, The Hollisters
offer great material with a sense of humor, blazing instrumental
chops, and matter-of-fact, drawling vocals that provide a very upbeat
and satisfying country music experience. In other words, this stuff
cooks. Recommended.
Gurf Morlix, Toad Of Titicaca, Catamount Records
Gurf Morlix (no, that is not the name his parents gave him) was
Lucinda Williams’ musical foil for years, and after the two parted
company acrimoniously in 1998 over the recording of Williams’ award-winning
Car Wheels On A Gravel Road, Morlix decided it was finally
time to release his own debut album. Toad Of Titicaca is
the result—a loose, funky, sloppy-tight, varied collection of country
and rock originals, some of which feature Morlix playing most or
all the instruments. Morlix’s songs are generally up to snuff and
his instrumental abilities are workmanlike, but vocally he’s extremely
limited, the possessor of one of those "personality" voices,
like Bob Dylan, for instance. Not to worry—Toad Of Titicaca
will grow on you with repeated listening. Where else have you ever
heard a song called "Dan Blocker," an ode to the old television
show, "Bonanza?"
Kevin Bowe & The Okemah Prophets, Restoration, Pop Sense
Records
This is intelligent, energetic rockin’ country music from this
Minnesota group, long on wry lyricism and Rolling Stones-like riff
tunes. Very promising. Keep an eye on this band, and buy Restoration.
Nickel Slots, White Lies and Cigarettes, Deep South Records
Nickel Slots fall into the same basic category as the Gin Blossoms,
with their jangly guitars and mid-tempo rockers. While the material
is imminently listenable, the Slots tend to stick too closely to
the above formula, resulting unavoidably in sameness that grows
a bit tiring after seven or eight songs. Mix it up a little more,
guys, and the results will show next time around.
The Brooklyn Cowboys, Doin’ Time On Planet Earth, Leaps
Records
The Brooklyn Cowboys feature the guitar and vocals of Walter Egan,
who scored some success in the seventies, steel guitarist Buddy
Cage, formerly of the New Riders Of The Purple Sage, and the sprightly
vocals of Joy Lynn White, who is criminally relegated to singing
background most of the time. The Cowboys’ music is classic honky-tonk
twang ‘n’ roll, with an eye toward country rock pioneers like The
Flying Burrito Brothers and Poco. Very good stuff.
Addresses: Rounder Records, One Camp Street, Cambridge,
MA 02140; Kristi Rose, PO Box 121436, Nashville, TN 37212; Apokalips
Records, PO Box 40940, Tucson, AZ 85717; Hightone Records, 220 4th
Street, Oakland, CA 94607; Catamount Records, Box 6368, Chicago,
IL 60680; Nickel Slots, www.thenickelslots.com;
Brooklyn Cowboys, www.brooklyncowboys.com.